Walking
through the streets of Dublin on any given day from the start of March to the
early summer months of 2011, a certain face can be seen peering from the walls
and buildings of the city. His afro hair was his trademark, his skin is dark
against the white of the paper posters and his body is clad in the unmistakable
classic rock garb. And any Irish person should be shamefaced to admit if they
did not recognise, the man, the legend...Phil Lynott.
Originally
born in Birmingham, England to an Irish mother in 1949, Phil Lynnott moved to
Dublin permanently at the age of four with his grandmother where he would stay
for the rest of his childhood.
In 1969,
Thin Lizzy was formed between Phil, Brian Downey, Eric Bell and Eric Whixton.
Thin Lizzy are better known for their cover of Irish hit, ‘Whiskey in the Jar,’
and their own hit song, ‘The Boys are Back in Town.’
Phil married
in 1980, leading to the birth of two children, one inspiring the song ‘Sarah.’
He went solo in 1980 also but his solo career was short-lived, not circulating
the same success as Thin Lizzy did. In 1983, the successful rock group
disbanded, leaving Phillip time to write several poetry books that were
published in 1974 and ’77.
Unfortunately,
the rock icon spent his last years alive in turmoil of drug and alcohol
addiction. He finally collapsed at his home on Christmas Day in 1985 and when
he was driven to a drug clinic, diagnosed with septicaemia. He died on 4th
January 1686 at 36 years of age.
Despite his
tragic death at such a young age, and the breakup of Thin Lizzy, Phil Lynotts
legacy has lived on through the years. In 1997, his two poetry books came
together in a single edition and then in 2005, a life sized statue of the
legend himself was unveiled on Harry Street, Dublin where it still stands
today, regularly visited by tourists and fans alike.
The ‘Phil Lynott
exhibition’ was opened in Dublin in March 2011. After six weeks of searching,
the location was finally decided upon by the team- the top floor of St.
Stephen’s Green Shopping Centre, where a large collection of his work both solo
and with Thin Lizzy is displayed for all to see. The exhibition follows the
path of Phil’s life in memorabilia, gradually going from light to darkness to
indicate the struggles he coped with before his premature death in 1986. It is
both haunting and beautiful.
Immediately
as you enter the exhibition room, you are blasted with a beautiful lit up ‘Thin
Lizzy’ model. From the stereos within the black clothed walls, the voice of
Phil Lynott as ‘The Phil Lynott Band’ and ‘Thin Lizzy’ float out to act as
background music to the tour of Phil’s life. It is almost haunting as it feels
his spirit is within the room along with the childhood photographs, the letters
and postcards to his mother and friends and even the old bicycle he used to
ride when he was boy which is hanging from the ceiling.
The
exhibition is laid out in a well lit area at first, and widely spaced, well
able to accommodate any school tours or large tourist groups. The walls of one
aisle are covered with the various ‘Hot Press’ covers Phil appeared upon, only
just touching upon his emphasis on the Irish music scene as a firm favourite
with the prestigious music magazine.
Phil’s life can be seen in the ‘Family Tree’, depicting his
time with Thin Lizzy and his other bands and projects before, within and after
the years in the famous rock group. Posters tell about the years of Thin
Lizzy’s success to their final concert and then to the sad night in 1986 that
announced the death of the rock legend.
As the exhibition moves to the darker areas of the room,
records, guitars and clothing are all available to be seen. It is a rare and
rather moving trip for long term fans of the rock legend and one that they may
not experience again.
Despite his tragic and premature end, the success of the
exhibition which has been extended to run till May, proves that the fame and
glory of Ireland’s ‘rocker’ has not yet lay down in the grave with him. His
legend lives on as his fans and Ireland prove that we are still in love with
him.
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